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RETREAT
with true crime author Diane Fanning in Jefferson, Texas |
Friday-Sunday, September 3
- 5 Class limit: 12 |
“Trouble’s Brewin’:
Using Characters, plot and setting to build suspense in any story”
Want your writing to really perk and bubble? Stir suspense into
the plot. Suspense can be found in all good fiction and creative
non-fiction, not just in suspense writing. Join true crime writer
Diane Fanning in Jefferson, Texas, to learn how to create suspense
throughout your book, from title to characters to plot, place, time
restriction, word choice, sentence length and more. Story without
suspense is like coffee without caffeine -- no kick and not very
addicting. Brew up an overflowing cup of good writing sweetened
with suspense with Diane Fanning on Labor Day weekend. Diane Fanning
exploded onto the true crime writing scene with Through the Window:
The Terrifying True Story of Cross-Country Killer Tommy Lynn Sells,
which generated so much interest in the press and media that recently
an actress portrayed Diane on an episode of Crimetime. Her second
book, due out in June 2004, is Into the Water and she'll follow
that with Written in Blood and a work in progress set in San Antonio.
In between these fast-paced and compelling true crime books, Fanning
is working with her agent on the development and marketing of a
fictional mystery series.
Retreat will be held at McKay House (http://www.mckayhouse.com)
See this star instructor's
page.
Print out registration
form or call 512-499-8914 to register. |
$199 members |
$244 nonmembers |
Classes and Workshops
All classes are held at WLT, 1501 W. 5th Street, Ste. E-2, Austin,
TX unless otherwise stated.
|
TWO-DAY
WORKSHOP: ANYWHERE FROM HERE: SCENE STRUCTURE with Sandra Scofield
|
Saturday, July 17, 10 a.m.
-- 4 p.m. and Sunday, July 18, 10 a.m. -- 1 p.m. Class
limit: 20 |
This is a nuts-and-bolts workshop focused
on constructing the scene as the basic unit of fiction. You will
practice easy formulas that demonstrate important principles about
the way scenes work; examine numerous models from published writers;
write exercises based on those models, and take away more to do
on your own; learn how the scene is incorporated in sustained stories.
Come ready to do a lot of quick-paced writing. Exercises are perfect
for beginners, but are also adaptable for the more experienced writer
and for writers of creative nonfiction.
See this Star Instructor's
Page.
Print out registration
form or call 512-499-8914 to register. |
$135 members |
$180 nonmembers |
ONE-DAY
WORKSHOP: GETTING YOUR FIRST NOVEL PUBLISHED with Marcia Preston |
Saturday, July 31, 9 a.m. -
3 p.m
Class limit: 25 |
Tips and motivation for aspiring novelists.
Session one includes information on common problems of first novels,
understanding market niches, The Agent Wars, persevering beyond
all common sense---and why it's all worth it. Session two goes deeper,
centering on novel structure, with a discussion of how to use a
story arc and plot points to plan your novel, improve pacing, weave
subplots, and bring the plot to a satisfying conclusion. Includes
a discussion of the Hero's Journey. Students should bring a sample
query letter and a one-page summary of their novel. There will be
interactive exercises on writing a two-sentence pitch and a query
letter.
Song of the Bones, the second title in Marcia Preston’s
mystery series, won the 2004 Mary Higgins Clark Award and the Oklahoma
Book Award in fiction. The first book in the series, Perhaps
She’ll Die, was nominated for the Mary Higgins Clark
Award, and for Macavity and Barry awards in the Best First Mystery
division. Marcia’s first mainstream novel is set for release
in January 2005 and titled The Butterfly House. Preston
is also editor and publisher of ByLine, a trade magazine
for writers (http://www.bylinemag.com).
Print out registration
form or call 512-499-8914 to register.
|
$90 members |
$135 nonmembers |
ONE-DAY WORKSHOP: TO MARKET, TO MARKET: PUBLISHING POETRY with Scott
Wiggerman |
Saturday, August 7, 9 a.m.
- 1 p.m.
Class limit: 15 |
Now that you've written and accumulated
poems, what do you do with them? Why not try publishing? This course
will walk you step by step through the best ways to get your poems
to market, whether print or online. Emphasis will be on choosing
the right markets, on writing good cover letters, and on keeping
track of your submissions. We will cover the hows and whys of publishing;
how to prepare poems for submission; how to write a cover letter;
how to find and choose appropriate markets, both print and online;
how to tell the difference between legitimate and questionable markets;
how to find and choose poetry contests and calls for anthologies;
how and why to track submissions and publications; how to put together
a manuscript; and which options to consider for publishing a book.
Scott Wiggerman, the author of Vegetables and Other Relationships,
is the 2003 winner of the D.H. Lawrence Scholarship in Poetry sponsored
by the Taos Summer Writers Conference. He has published in numerous
journals, most recently this year in modern words, Pebble Lake
Review, Homestead Review, Windhover, and New
Texas; and the 2004 anthologies This New Breed: Gents, Barbarians,
and Bad Boys 2 and di-verse-city.
Print out registration
form or call 512-499-8914 to register. |
$45 members |
$90 nonmembers |
ONE-DAY
WORKSHOP: MOONLIGHTING: MAKING A LIVING AS A WRITER with MIKE COX
|
Saturday, August 21, 2004,
from 10 a.m. - 4 p.m.
Class limit: 25 |
Mike Cox got his first freelance check
($35) for a magazine article when he was in the ninth grade. He's
been getting checks ever since. Never enough, but he says he'd probably
be a lot poorer than he is if he hadn't been moonlighting all these
years. He'll share some of what he's learned as a writer over the
last 40 years, including the importance of having a broad definition
for the term "freelance writer." Cox, an elected member
of the Texas Institute of Letters, is the author of 11 Texas-related,
non-fiction books with two others currently under contract, including
a one-volume history of the Texas Rangers from Spanish times to
date. A former award-winning journalist for the Austin American-Statesman
and other Texas newspapers, Cox spent more than 15 years as spokesman
for the Texas Department of Public Safety, handling media interviews
at the scene of some of the biggest news events in recent Texas
history.
Print out registration
form or call 512-499-8914 to register.
|
$90 members |
$135 nonmembers |
LOST
AND FOUND: RECOVERING ELEGIES with Wendy Barker |
Saturday, October 2, 2004,
11 a.m. - 5 p.m. and Sunday, October 3, 2004, 11 a.m. - 2 p.m. |
Some of the finest poems in the English
language have been elegies: immediately, we think of Thomas' "Do
Not Go Gentle Into That Good Night," Milton's "Lycidas,"
and Whitman's "When Lilacs Last in the Dooryard Bloom'd."
How can writing poems help us grieve in a culture that often tries
to deny death? Can writing poems about what is absent allow us to
become more fully present, more fully alive? During this two-day
workshop, we will focus on images we associate with someone or something
we have lost. To achieve our goal of finishing at least two new
poems, we will engage in several activities and exercises. Helpful
(although not required) reading would include Sandra M. Gilbert's
Inventions of Farewell (Norton, 2001) and Rabindranath
Tagore's Final Poems (transl. Wendy Barker and Saranindranath
Tagore, Braziller, 2001).
Wendy Barker's most recent book is Poems' Progress (Absey
& Co., 2002); her translations of Rabindranath Tagore (with
Saranindranath Tagore, Braziller, 2001) received the Sourette-Diehl
Fraser Award from the Texas Institute of Letters, and her third
collection of poetry, Way of Whiteness (Wings Press, 2000,
2nd ed. 2004), won the Violet Crown Book Award. Recipient of NEA
and Rockefeller fellowships, Barker has published over 250 poems
and translations in such journals as Poetry, The American Scholar,
Kenyon Review, Stand, Ontario Review, North American Review, and
Nimrod; her work has been translated into Hindi, Japanese, and Bulgarian.
She is a professor of English at the University of Texas at San
Antonio.
Print out registration
form or call 512-499-8914 to register.
|
$135 members |
$180 nonmembers |
Check out some of our previous classes/retreats
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Writers' League of Texas classes and workshops are open to the public.
If you have a disability that requires access accommodations and you wish
to attend one of our workshops or classes, please contact the WLT office
at least 48 hours prior to the program date.
Writers' League of Texas workshops and classes
are partially funded by the City of Austin, the Texas Commission on the
Arts, and the National Endowment for the Arts.
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